All the oil paintings of Correggio

HOME

BACK

ID	Image	Painting(From A to Z)	Details
521		Martyrdom of Four Saints	Galleria Nazionale, Parma
31635		Martyrdom of Four Saints	mk74 160x185cm Parma Galleria Nazionale
31638		Martyrdom of Four Saints,detail	mk74 Parma Galleria Nazionale
31597		Modonna and Child with Saint Elizabeth and the Young Saint John	mk74 77x99cm Milan, Painacoteca di Brera
94757		Nativity	1529-1530 Type Oil on canvas Dimensions 256.5 cm x 188 cm cyf
31610		Noil me tangere	mk74 130x103cm Madrid, Prado
504		Noli me Tangere	1525 Museo del Prado, Madrid
28811		Noli me tangere	mk65 c.1522-1525 Oil on canvas 130x103cm
84911		Painting	1489-1534. Around 1522. Oil on canvas cyf
31625		Parmigianino Detail of the putto between the pendentives of the north side	mk74 Parma Church of San Giovanni Evangelista
31657		Partial view of the cupola with the pendentive depicting Saint Hilary	mk74 Parma,Duomo
31618		Passing away of Saint john	mk74 Parma, Church of San Giovanni Evangelista
31620		Pendentive with Saint Jerome and Saint Mattehew	mk74 Parma Church of San Giovanni Evangelista
31654		Pendentives depicting Saint Thomas,Saint Bernard,and Saint John	mk74 Parma, Duomo
31655		Pendentives depicting Saint Thomas,Saint Bernard,and Saint John	mk74 Parma, Duomo
31656		Pendentives depicting Saint Thomas,Saint Bernard,and Saint John	mk74 Parma,Duomo
510		Portrait of a Gentlewoman	1517-19 The Hermitage, St.Petersburg
31611		Portrait of a Gentlewoman	mk74 103x87.5cm St Petersburg, Hermitage
29290		Portrait of a Lady	mk65 ca.1519 Oil on canvas 40 1/2x34 1/2"
34261		Portrait of a Lady	mk91 Oil on canvas 103x87
20178		Portrait of a Youn Man (mk05)	Wood 231/4 x 17 1/4\'\'(59 x 44 cm).Formerly attributed to Raphael and then to Parmigianino.Enlarged by the artist;entered the Louvre in 1665
77273		Portrait of a Young Man	c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Mus??e du Louvre, Paris Date ca. 1525(1525) cyf
75422		Portrait of a Young Man,	Correggio: Portrait of a Young Man, c. 1525, oil on wood, 59 x 44 cm (23 1/4 x 17 1/4 in.), Musee du Louvre, Paris ca. 1525(1525) cjr
31604		Rest on the Flight into Egypt with Saint Francis	mk74 123.5x106.5cm Florence Uffizi Gallery
40322		Rest on the Flight to Egypt with Saint Francis	mk156 c.1517 Oil on canvas 123.5x106.5cm
90097		Ruhe auf der Flucht nach agypten, mit Hl. Franziskus	1517(1517) Medium oil on canvas cjr
31630		Sinopia of the Coronation of the Virgin	mk74 Parma Biblitoteca Palatina
53750		Sta Katarina-s mysterious formalning	mk234 ca 1510/15 28x21cm
33489		The Abduction of Ganymede	mk86 c.1531/32 Oil on canvas 163.5x70.5cm Vienna,Kunsthistorisches Museum
21328		The Abduction of Ganymede (mk08)	c.1531/32 Oil on canvas, 163.5x70.5cm Vienna,Kunsthistorisches Museum
42027		The Adoracion al Nino	mk166 1617 I Wave on board of Wood 81x77cm Uffizi, Florence
29031		The Adoration of the Child	mk65 Oil on panel 31 7/8x30 5/16in Uffizi,Gallery
6169		The Adoration of the Magi fg	1516-18 Oil on canvas, 84 x 108 cm Pinacoteca di Brera, Milan
501		The Adoration of the Magi_3	Pinacoteca di Brera, Milan
509		The Education of Cupid	1528 National Gallery, London
31660		The Education of Cupid	mk74 155x91.5cm London, National Gallery
42670		The heaven speed of Maria	MK169 Detail 1526-30 Fresco Domkoepel Parma
43013		The Madonna of the Basket	mk170 circa 1525 Oil on wood 33.7x25.1cm
41987		The marriage mistico of Holy Catalina with San Sebastian	mk166 Enters 1526 and 1527 I Wave on wood 105x102cm Museum of the Louvre, Paris
20180		The Mystic Marriage (mk05)	Wood 411/4 x 40 1/4''(105 x 102 cm).Collections of Cardinal Mazarin and Louis XIV;entered the Louvre in 1661
9843		The Mystic Marriage of St Catherine	c. 1520 Wood, 105 x 102 cm Mus??e du Louvre, Paris
58461		The Mystic Marriage of St. Catherine	The Mystic Marriage of St. Catherine (c. 1520), Correggio's most important contribution to the High Renaissance art, exhibits Leonardo's pronounced influence on his early style.
499		The Mystic Marriage of St.Catherine	1510-15 National Gallery of Art, Washington DC
23278		The Nativity (nn03)	1530 Oil on panel 256 x 188 cm 100 3/4 74 in Staatliche Kunstsammlungen Dresden
29879		The Rest on the Flight into Egypt	mk67 Oil on canvas 48 5/8x41 15/16in Uffizi,Gallery
520		The Rest on the Flight to Egypt with Saint Francis	1517 Galleria degli Uffizi, Florence
44899		The Tempest	mk176 1505-10 Oil on canvas 76.8x73cm
31615		Two ovals depicting a putto with a stag's head and a putto with a greyhound	mk74 Parma, Camera di San Paolo
31616		Two ovals depicting a putto with a stag's head and a putto with a greyhound	mk74 Parma, Camera di San Paolo
513		Venus and Cupid with a Satyr	1528 Musee du Louvre, Paris
30479		Venus and Cupid with a Satyr	mk68 Oil on canvas 6'2"x4'1 1/2" Paris c.1520 Italy
31659		Venus and Cupid with a Satyr	mk74 188.5x125.5cm Paris,Louvre
57233		Venus and Eros was found Lin God	mk255 made in the sixteenth century, 25 years ago. Canvas 1.88 meters high, 1.25 meters wide. Paris, the Louvre
43015		Venus with Mercury and Cupid	mk170 1523-1525 Oil on canvas 155.6x91.4cm
53749		Venus, satyr and Cupido	mk234 1524/25 190x124cm
20166		Venus,Satyr and Cupid (mk05)	Canvas 74 x 49 1/4\'\'(188 x 125 cm)Painted for Federico Gonzaga;collections of Charles I,Cardinal Mazarin,and Louis XIV;entered the Louvre in 1661
30973		Venus,Satyre et Cupidon	mk70 Toile. H.1.88 L.1.25 Paris,Musee du Louvre
89225		Vier Heilige	c. 1517 Medium oil on canvas Dimensions Deutsch: 172 x 126 cm cjr
31612		View of the Camera di San Paolo and of the vault	mk74 Parma
31613		View of the Camera di San Paolo and of the vault	mk74 Parma
87015		Virgin and Child with an Angel	Date first half of 16th century Medium Oil on wood cjr
87017		Virgin and Child with an Angel	Date first half of 16th century Medium Oil on wood cjr
91737		Virgin and Child with an Angel	first half of 16th century Medium oil on panel cyf
91741		Virgin and Child with an Angel	first half of 16th century Medium oil on panel cyf
93793		Virgin and Child with an Angel	between 1522(1522) and 1525(1525) Medium oil on panel Dimensions Height: 69 cm (27.2 in). Width: 57 cm (22.4 in). cjr
31619		Vision of Saint john on the Island of Patmos,cupola	mk74 Parma Church of San Giovanni Evangelista
40320		Vision of St John the Evangelist on Patmos	mk156 1520 Fresco
31643		Wedding of Saint Catherine	mk74 105x102cm Paris,Louvre
31644		Wedding of Saint Catherine,details	mk74 Paris Louvre
31645		Wedding of Saint Catherine,details	mk74 Paris Louvre
33486		Zeus and Antiope	mk86 c.1524-25 Oil on canvas 188x125cm Paris,Musee National du Louvre
21324		Zeus and Antiope (mk08)	c.1524/25 Oil on canvas, 188x125cm Paris,Musee National du Louvre
33488		Zeus and Io	mk86 c.1531/32 Oil on canvas 163.5x74cm Vienna,Kunsthistorisches Museum
21327		Zeus and Io (mk08)	c.1531/32 Oil on canvas,163.5x74cm Vienna,Kunsthistorisches Museum

Correggio
Italian 1489-1534 Correggio Locations Italian painter and draughtsman. Apart from his Venetian contemporaries, he was the most important northern Italian painter of the first half of the 16th century. His best-known works are the illusionistic frescoes in the domes of S Giovanni Evangelista and the cathedral in Parma, where he worked from 1520 to 1530. The combination of technical virtuosity and dramatic excitement in these works ensured their importance for later generations of artists. His altarpieces of the same period are equally original and ally intimacy of feeling with an ecstatic quality that seems to anticipate the Baroque. In his paintings of mythological subjects, especially those executed after his return to Correggio around 1530, he created images whose sensuality and abandon have been seen as foreshadowing the Rococo. Vasari wrote that Correggio was timid and virtuous, that family responsibilities made him miserly and that he died from a fever after walking in the sun. He left no letters and, apart from Vasari account, nothing is known of his character or personality beyond what can be deduced from his works. The story that he owned a manuscript of Bonaventura Berlinghieri Geographia, as well as his use of a latinized form of Allegri (Laetus), and his naming of his son after the humanist Pomponius Laetus, all suggest that he was an educated man by the standards of painters in this period. The intelligence of his paintings supports this claim. Relatively unknown in his lifetime, Correggio was to have an enormous posthumous reputation. He was revered by Federico Barocci and the Carracci, and throughout the 17th and 18th centuries his reputation rivalled that of Raphael.